Resin-Fossilized snd Machine-Cut: The Art of Matthew Angelo Harrison
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Detroit-born artist Matthew Angelo Harrison’s first solo exhibition at Salon 94 in New York feels ancient and futuristic, seductive and uncomfortable, completely human and totally alien. “Ambidex” displays 8 polished resin blocks that suspend objects in time – each “emblematic of the United States in some way”. These CNC-altered works often cut into the objects they contain: wood African sculptures with uncertain authenticity, exotic animal skulls, and the headlight of a Tesla. With hypnotic beauty, Harrison’s work questions our myths and beliefs about labor, American history, commercialism, identity and beyond.
Installation view, Matthew Angelo Harrison, Ambidex, 2021 \\\ Photo: Farzad Owrang
Fields to Burrow, 2021
Fields to Burrow, 2021 (detail)
Each work begins by suspending an object in clear or darkened translucent resin. Harrison then CNC-carves the blocks using machinery he builds himself. The cuts are in direct response to the unique energy of the objects, often cutting into the wood or bone itself. The cuts reveal as much as they remove, while refracting or blurring the passage of light. It’s an ever-shifting discovery with every step.
Gemsbok Transpose, 2021
Gemsbok Transpose, 2021 (detail)
Installation view, Matthew Angelo Harrison, Ambidex, 2021 \\\ Photo: Farzad Owrang
The “African” sculptures offer the most complex questions. The press release notes that these dark-patinaed objects “may or may not be entirely fake”. Sometimes Harrison acquires real objects from expert dealers, and other times (as it’s implied) obtains them from less authentic or tourism-manufactured sources. He doesn’t note which is which, referring to them only as “wood sculptures”, asking us to question our identity, fetishism, commercialization, and relationship to Africa, past and present.
Culling Figure, 2021
Culling Figure, 2021 (detail)
Echoic Sections, 2021
Echoic Sections, 2021
Spasmodic Surrender, 2021
Spasmodic Surrender, 2021 (detail)
The bones offer a thrilling visual play between the organic and the machine. “Spasmodic Surrender” (pictured above), is a resin-encased Zebra skull. The deep pattern of channels abstracts the bone while introducing a visual play of black and white, and revealing the inner network of the bone itself.
Wraith, 2021
Wraith, 2021 (detail)
In the middle of the gallery, the nearly black “Wraith” (above) holds the headlight of a Tesla. Visitors who crouch to peer into a horizontal cut will be treated to a cross section of metal and circuits.
Helmet, 2021
Helmet, 2021
“Helmet” superimposes the form of a head (likely 3D-scanned from a wooded figure?) over a well-used hard hat. Like the rest of the works in “Ambidex”, it draws you in with an inescapable visual sparkle, then prompts you to question your own ideas of race, labor, cultural-fetishizing, and the human experience at large.
Installation view, Matthew Angelo Harrison, Ambidex, 2021 \\\ Photo: Farzad Owrang
I highly recommend listening to Matthew Angelo Harrison speak about his work in this short film, produced on the occasion of a recent exhibition at Kunsthalle Basel. A skilled sculptor, he also speaks with an incredible warmness, curiosity and intelligence.
Matthew Angelo Harrison’s “Ambidex” is on view on the 3rd floor of Salon 94 in New York through October 30th (open Wednesday-Sundays).
Matthew Angelo Harrison. Image courtesy the artist and Jessica Silverman, San Francisco. \\\ Photo: Naaman Rosen
What: Matthew Angelo Harrison “Ambidex”
Where: Salon 94 Gallery, 3 E 89th St, New York, NY
When: September 14 – October 30, 2021 (Wednesdays-Saturdays), appointment recommended here, bring mask & proof of vaccination
All images courtesy of the artist and Salon 94, New York © Matthew Angelo Harrison (unless otherwise noted)
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